The unannounced moment took place during Dhillon’s live performance when the singer invited Sharma on stage, prompting loud cheers from the packed venue. Videos circulating on social media show Dhillon warmly greeting the cricketer and introducing him to the audience, as Sharma acknowledged the crowd amid thunderous applause.

The surprise appearance quickly became one of the standout moments of the Jaipur concert, with fans praising the easy camaraderie between the two. Sharma was seen enjoying the atmosphere on stage, while the audience responded enthusiastically to the rare blend of sporting and musical star power.

The concert was part of AP Dhillon’s ongoing India tour, which has been drawing large crowds across major cities. Sharma’s presence added an extra layer of excitement to the Jaipur leg of the tour, turning the evening into a memorable experience for attendees.

The moment has since gained traction online, with clips from the concert widely shared and celebrated by fans of both the cricketer and the singer. The surprise appearance highlights the growing trend of crossover moments at large live events, where figures from different fields come together to create viral, fan-driven memories.

ADOR, the label behind NewJeans, announced that it had decided to end Marsh’s contract, stating that it would be difficult for her to continue as a member of the group or as an artist under the company. The decision comes amid a prolonged legal conflict between the group and the agency that has drawn intense industry and fan attention throughout 2025.

The dispute dates back to late 2024, when NewJeans members sought to terminate their contracts and pursue independent activities, sparking legal action from ADOR. A Seoul court later upheld the validity of the exclusive contracts, prompting negotiations between the label and the artists. In its latest statement, ADOR said that discussions with several members and their families had taken place, with some agreeing to continue working with the company.

However, in Marsh’s case, the label concluded that she could not remain with NewJeans. ADOR also indicated plans to pursue legal action against one of Marsh’s family members and a former executive, whom it holds partly responsible for contributing to the dispute and delays in the group’s scheduled return.

The termination marks the end of Marsh’s official tenure with NewJeans, a group that debuted in 2022 to widespread global success. The remaining members’ contracts with ADOR, including those of Hanni and Minji, are reportedly still being discussed, with some members indicating a willingness to resume activities under the label.

The news has sent ripples through the K-pop community, with fans and industry watchers closely following the evolving situation. As NewJeans navigates this challenging period, the group’s future configuration and activities remain subject to further announcements from ADOR and the artists involved.

Originally released in 1975 as the title track of the album Wish You Were Here, the song has long been regarded as one of Pink Floyd’s most enduring works. Written as a reflection on absence, loss, and disconnection, it is widely associated with the band’s former member Syd Barrett and the emotional distance felt within the group during that period.

The newly released video complements the song’s reflective tone, drawing on themes of memory, longing, and human connection. Rather than altering the song’s legacy, the visuals aim to enhance its emotional depth, allowing longtime listeners and new audiences alike to experience the track in a contemporary format.

The release comes as part of the broader celebrations surrounding the album’s 50th anniversary, reaffirming Wish You Were Here’s status as a cornerstone of rock history. Over the decades, the song has remained a staple of popular culture, frequently cited among the greatest rock songs of all time.

With the unveiling of the official video, Pink Floyd have added a new chapter to the life of a timeless classic, demonstrating how music created half a century ago continues to resonate across generations.

Details of the settlement have not been disclosed, but all parties involved have agreed to move forward independently, effectively ending any possibility of future collaboration under the Jane’s Addiction name. The dismissal marks the conclusion of internal disagreements that had escalated into legal action, signalling a definitive break rather than a temporary hiatus.

Jane’s Addiction, formed in Los Angeles in the mid-1980s, played a pivotal role in shaping the alternative rock movement, blending hard rock, punk, and art-rock influences. Led by Perry Farrell, the band achieved critical and commercial success with albums that helped redefine the sound and culture of the era.

Over the years, Jane’s Addiction experienced multiple breakups and reunions, often driven by creative differences and personal tensions. This latest development, however, appears final, with the settlement underscoring a mutual decision to part ways permanently.

The band’s split has drawn reactions from fans and the music community, many of whom credit Jane’s Addiction with influencing a generation of artists and contributing significantly to the evolution of alternative music. While the group’s collective journey has come to an end, its legacy continues through its recordings, live performances, and lasting cultural impact.

Sharing the moment on social media, Stebin Ben described the opportunity as a long-cherished dream, stating that lending his voice to a song for Salman Khan marked a special milestone in his career. The singer noted that the teaser track holds deep emotional significance for him, as it combines patriotism with a personal sense of achievement.

The teaser offers a glimpse of Salman Khan in a commanding military avatar, with the background score and vocals playing a key role in setting the film’s intense and stirring tone. Stebin Ben’s voice adds a melodic yet resolute layer to the visuals, reinforcing the themes of sacrifice and national pride associated with the Galwan Valley story.

Battle of Galwan draws inspiration from the 2020 Galwan Valley clash and is positioned as a serious, grounded war drama. While details about the full soundtrack remain under wraps, the teaser song has already sparked interest among fans, particularly due to the collaboration between Salman Khan and Stebin Ben.

The release has generated strong reactions online, with music and film audiences praising the pairing and expressing anticipation for the complete song and the film’s eventual release.

Arijit Singh remains one of the most dominant voices in the country, straddling both film and independent music. His non-film releases and live concerts continue to attract record audiences, making him a defining presence in India’s pop ecosystem.

Gen Z girl group W.I.S.H has emerged as a breakout act, bringing choreography-led pop anthems and global-pop aesthetics to the Indian scene. Their music and visual identity have resonated strongly with younger listeners, marking a shift in how Indian pop groups are perceived.

Multi-genre artist Tsumyoki has further expanded his footprint in 2025 with tracks that blend pop, hip-hop, trap, and alternative sounds. Known for his experimental approach, he represents the growing appetite for genre-fluid pop music in India.

Singer-songwriter Aditya Rikhari has cemented his place as one of the most-streamed romantic pop voices of the year. His emotionally driven songs have enjoyed long chart runs and widespread social media traction.

Badshah continues to be a key figure in the IndiPop crossover space. While rooted in hip-hop, his pop-forward singles and collaborations have kept him among the most played artists at clubs, festivals, and on streaming playlists.

Neha Kakkar remains one of the most recognisable pop voices in India, maintaining her popularity through upbeat, mass-appeal songs that dominate party playlists and radio airplay.

Another consistent presence in 2025 is Jubin Nautiyal, whose pop-oriented singles and independent releases have found strong resonance with listeners beyond his film work.

Rising indie voices such as GINI and Kushagra have gained attention for their introspective songwriting and melodic pop sound, earning growing fanbases and festival slots across the country.

Together, these artists reflect the diversity of India’s IndiPop landscape in 2025 — a space where mainstream stars and independent creators coexist, powered by digital platforms and an audience increasingly open to non-film music.

Pioneers and early mainstream acts

Aasma
One of India’s earliest pop boy bands, Aasma gained popularity in the early 2000s with tracks like Yeh Jahan and Chandni Raatein.

Band of Boys
A hugely popular group in the early 2000s, Band of Boys delivered chart-topping hits such as Meri Neend and Gori, becoming a defining act of India’s IndiPop era.

Reality show–driven success

Amaal Mallik – India’s Raw Star group
Formed during India’s Raw Star, the group brought boy-band aesthetics to Indian television, though members later pursued solo careers.

5 Live
Created through reality-TV talent formats, the group gained attention for its youth-centric pop sound.

Independent and digital-era boy bands

Why Don’t We India
Inspired by global pop-band trends, the group built its presence through social media and digital releases.

The Band Famous
Known for upbeat pop tracks and live performances, particularly popular among younger audiences.

Gen-Z and K-pop–influenced wave

A5IVE
Among India’s most prominent modern boy bands, A5IVE stands out for its K-pop-inspired training, choreography, and international styling.

XoFam
A newer act leveraging short-form video platforms and digital fandom culture.

The bigger picture

While India has traditionally favoured solo singers and film-based music, boy bands continue to find space through reality television, live concerts, and digital platforms. With rising exposure to global pop and K-pop culture, industry observers expect more structured boy-band projects to emerge in the coming years.

At number one, All I Want For Christmas Is You by Mariah Carey returned to the summit, continuing its annual chart resurgence. The track has now spent 77 weeks on the Hot 100, reaffirming its status as the most enduring modern Christmas hit.

Brenda Lee’s Rockin’ Around The Christmas Tree climbed to number two, rising from last week’s third position, while Last Christmas by Wham! slipped to number three.

Classic holiday staples continued to hold strong. Jingle Bell Rock by Bobby Helms placed fourth, followed by Santa Tell Me from Ariana Grande at number five.

Outside the festive cluster, Golden by HUNTR/X, featuring EJAE, Audrey Nuna and REI AMI, stood out at number six, offering rare non-holiday representation in the top 10. The Fate Of Ophelia by Taylor Swift followed at number seven.

Rounding out the top 10 were The Christmas Song (Merry Christmas To You) at number eight, Underneath The Tree at number nine, and It’s The Most Wonderful Time Of The Year closing the list at number ten.

The chart movement reflects a familiar year-end pattern, with holiday music dominating airplay and streaming in the final weeks of December, often reshaping the Hot 100 before giving way to new releases in the new year.

The image, shared on Instagram, shows Daboo Malik affectionately kissing Amaal on the cheek, capturing a candid and emotional father–son moment. Daboo captioned the post, “A life time in a moment,” accompanied by heart emojis, prompting an outpouring of reactions in the comments section. Several celebrities and followers responded with messages of support and affection.

The post comes shortly after Amaal Malik’s appearance as a contestant on Bigg Boss 19, where he remained in the public spotlight through a challenging and closely followed season. His participation on the reality show marked a rare personal turn for the musician, who is otherwise known for keeping his private life largely away from public view.

The shared photograph has been widely interpreted by fans as a gesture of encouragement and pride from Daboo Malik following Amaal’s Bigg Boss journey. The moment resonated strongly online, with many calling it a reminder of family support behind the pressures of public life and reality television.

One of the most influential collaborations came with Under Pressure, which united Queen and David Bowie. Released in 1981, the track blended rock and experimental pop, becoming iconic for its bassline and emotionally charged vocals. The song remains one of the most revered cross-artist collaborations in music history.

Another landmark moment arrived when Run-DMC joined forces with Aerosmith for Walk This Way. The collaboration broke genre barriers by bringing hip-hop and rock together in the mainstream, playing a crucial role in popularising rap music with global audiences.

A more recent defining collaboration was Shallow from A Star Is Born, featuring Lady Gaga and Bradsley Cooper. The song’s live performances, particularly at major award shows, became cultural moments, blending cinematic storytelling with raw musical chemistry and earning widespread critical acclaim.

In contemporary pop and hip-hop, Beyoncé and Jay-Z created a lasting impact with Crazy in Love. The track not only defined an era of early 2000s pop but also showcased the power of personal chemistry translating into musical success.

An earlier cross-generational collaboration saw Michael Jackson team up with Paul McCartney for Say Say Say. Released in the 1980s, the song symbolised the coming together of two global icons at the peak of their popularity, becoming a commercial and cultural success.

Together, these collaborations highlight how shared creativity can transcend individual stardom, producing moments that define eras and continue to influence music across decades.